The documentary tells about the ancient tradition of mosaic art in the architectural design of cities.

Stone is an American police drama that aired on NBC on Monday nights between January 14 and March 17, 1980. The series was a Stephen J. Cannell Production in association with Gerry Productions, Inc. and Universal Television and was created by Cannell, Richard Levinson and William Link.

When a young man finds a stone that fell from the sky, he gets the power to slow time, soon he discovers that there is more to the stones than meets the eye, as a alien stone collector tries to get the stone by any means possible.

Dennis Weaver is a Joseph Wambaugh-type novelist cop and Pat Hingle is his hard-nosed superior who wants him to stick to police work or get off the force in this pilot to the short-lived series.

John McNaughton's spotlight on George Condo and his art. The film, which follows the progress of Condo's large-scale oil painting Big Red over the course of one year, features an appearance by Allen Ginsberg, as well as footage of Condo collaborating with William S. Burroughs on paintings the two made together at Burroughs' Kansas home in the mid-1990s.

An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.

A young artist Ivan is preparing a work for an exhibition on the preservation of values. His work causes a public outcry: it attracts the attention of religious activists of the "God's punishment" organization, officials and journalists. As a result, the painting is removed from the exhibition, and the activists first attack, and then set fire to the artist's studio. The painting is saved, but Ivan faces a criminal case, so together with the curator of the exhibition, he goes to the Pen & Paper Bar Association to find protection and get advice on what to do next in this situation. Lawyers are preparing a defense strategy, and a bewildered artist, who by chance found himself in the epicenter of an absurd religious and cultural conflict, confronts musician Sergei Shnurov at the door of the college. Who seems to need help too.

During an interrogation, Scott must fend for his life against Klein, however, something else might be lurking behind.

Intended as a documentation of Polish artist and theatre-maker Tadeusz Kantor’s “informal painting”, Mieczysław Waśkowski’s film develops a hectic experimental life of its own. The gestural application of paint is staged on changing spatial levels by means of glass plates, camera movements and lighting, making not the painter but the abstract form-finding the movie star.

一群孩子在地狱中迷失了方向，他们试图通过调查沿途发现的一系列 haunted paintings（闹鬼的画作）来找到回去的路。